October 30, 2011

Chicago CreativeMornings #5 with Jay Ryan of Screenprint Shop, The Bird Machine


Photograph of Jay Ryan in his studio by Eric Nakamura

The fifth CreativeMornings event in Chicago was a celebration of print. At the Chicago Portfolio School, who sponsored the event, The Bird Machine’s Jay Ryan showed his screen-printed work. Results were not only viewed—Ryan also shared his poster-making process, from drawing to final composition. It’s a messy sequence involving rubylith, X-Acto blades, lamps, inks, tape—an array of timeless tools. Each step takes time and is worth the wait, because the results are hard-earned demonstrations of artistic intent. The effect is relationship-building. Each poster that Ryan showed is a piece of a universe, where one can relate to a walrus peering from the sky, a school of wombats or a herd depicted as a cave painting. Ryan’s portfolio and narrative served up a hearty dish of magical realism, with tactical-magical advice:







I left the fifth CreativeMornings presentation motivated in a tangible way, wanting to make something tactile. And as I walked back to the office, squirrels were climbing skyscrapers and windows were blinking.

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Big thanks to organizer Mig Reyes, videographers Craig Shimala and Charlie Curran, photographers Chris Gallevo and Rosario Edwards, for their great work on making CreativeMornings happen in Chicago.

Especially big thanks: to Tina Roth Eisenberg—Swissmiss—for inventing CreativeMornings in 2008. The fifth chapter was launched in Chicago, June 2011—my write-up and photos.

• • •

Typeface of quotes is Massive designed by Shawn Hazen, who also makes awesome typographic illustrations for series Creative Roles.

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Photos by Nate Burgos. View more.

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October 28, 2011

Carrying Quality All The Way Through: Designer, Front-end Developer and Illustrator Jan Cavan


It was at Web Heroines where I discovered Jan Cavan, who runs Dawghouse Design Studio, a web-based portfolio “which also doubles as a design blog offering tutorials, freebies and inspiration to the design community.” Her Dribbble “shots” also showcase her creativity. Cavan keeps cultivating her visual playground. Here she shares her experience and perspective, from practicing multiple creative disciplines to owning a studio:

Can you please tell a little bit about yourself? Where are you from? What do you do for a living?

I’m Jan Cavan, I’m a designer, front-end developer and illustrator based in Southern California.

What is your statement about being a designer, illustrator and web developer?

I always give it my best every time. I want to be my worst critic, and if the work I produce is not good enough for me, then it’s not good enough for everyone else. I give a lot of attention to the big picture as with the tiny details. One of my favorite quotes from Steve Jobs which pretty much sums up my outlook on work is, “When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.”

How did you get interested in the worlds of web design and development and become a part of it?

It actually sort of just fell on my lap. I’ve always been drawing since I was little and wanted to take up classes in animation, but accidentally enrolled in Web design and fell in love with it. I’m in a position wherein I can enjoy a nice balance between my love for art and technology.

Writer Alissa Walker wrote an article called “Women in Industrial Design: Where My Ladies At?” Where are the Ladies in Design and Development At?

There’s actually more female designers out there now than there was before. I still think it’s a male-dominated industry, but more female designers are out there, speaking at conferences, writing books about design and development and getting recognized which is really great.

What tools and materials do you use to work on your ideas and make them grow?

I always sketch my ideas out on paper and sometimes put together mood boards.



Do you have recommendations for software/web-based tools  to use for collaboration and getting things done?

I use 2Do app for my to-do list. To quickly jot down notes, I use Simplenote app.

How does time factor into your work?

I always used to work late afternoons, up until wee hours of the morning. I always thought I was more productive that way, but ever since I started working full-time for a company, I switched to normal work hours and realized it’s actually better for me. I feel like I can do more work during day time and have some time to do personal stuff after work. I’m also always very organized by keeping a list of things I need to do.

What is the most rewarding part of being a designer, illustrator and web developer?

Walking into Barnes & Noble in LA and seeing a magazine with my name on it felt pretty awesome, but I don’t think anything compares to receiving emails of appreciation from people. I’ve also gotten emails from younger designers, particularly students from different parts of the world, saying I inspire them and that they’d like to be like me in the near future. To me, that’s the most rewarding. Random people taking a minute out of their days just to shoot me an email of appreciation inspires me and gives me the drive to do an even better job.

How do you start making and running your own studio?

It was sort of actually unexpected for my site to grow like this. I was just focused on creating good work, and doing something I enjoyed, and my site just grew, and more and more clients came knocking on my door to the point that I could no longer manage all of it. It’s sad that you have to turn down work sometimes, but it matters that what you’re working on is something that makes you happy and a project that you truly believe in.

Was there a part of your work that was particularly trying and how did you deal with it?

I guess as with any designer, it used to always disappoint me if a design is moving toward a direction you’re not happy with. But I try not to take it to heart anymore. What matters is I’d given my best.

How do you stay creative? Do you draw? Or keep a journal?

I’m always doodling and I always like to observe the things around me.

What are some of your influences and sources of inspiration?

The works of Michael Heald always blow me away. He’s a designer and an amazing illustrator, too, which to me is really inspiring. There’s a lot of designers out there, but usually, one leans toward either design or illustration but this guy actually is really good at both. That’s not very common. Other designers I look up to are Jonathan Ive, Trent Walton and Frank Chimero.

What is your advice to Ladies who aspire to enter and engage design and the web?

Just be passionate about what you’re doing and practice a lot. You’re always going to run into difficult situations, more so, difficult people, but as long as you put your heart into what you do and work hard, nothing and nobody can bring you down.

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All photographs courtesy of Jan Cavan.

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Read more Interviews that include:
Keeping Design Just Enough: Mari Sheibley, Lead Designer at foursquare
Illustrator Laura Barnard’s Urban Tapestry
Interview with Design Collaborative Quite Strong: Female Creatives in Action

October 24, 2011

Download “Don’t settle”


Since seeing Apple’s “Think different” commercial when it aired during the late 1990s, I was hooked. At about a minute’s length, it’s one of the very few ads I enjoy, or even remember. I make it a point to view it from time to time for a spike of motivation (to exceed more than a minute). Nowadays, I watch the version narrated by Steve Jobs. I like quotations a lot, and thought about gathering and presenting a select few from the iconic thinkers-and-doers appearing in the commercial. Here are some sample pages (title above), with personal drawings:







Called “Don’t settle”—from Job’s Stanford Commencement Speech, this is a handy and lean collection of inspirational quotes from 20th-century makers who starred in Apple’s “Think Different” advertising campaign.

Download with a tweet the free 20-page print-optimized PDF
(Compressed 3.8MB) of “Don’t settle”


Read related posts:

October 19, 2011

Side to Full-Time Business: Eleanor Mayrhofer, Founder and Owner of e.m.papers


Eleanor Mayrhofer made the big transition from her corporate day job at an American internet firm, launching its operations in Germany, to her passion which is e.m.papers, a designer and producer of “DIY printable goods.” Making a transition from side to full-time business takes guts and raw persistence. Mayrhofer’s decisive move demonstrates this call-to-action from a post called Starting a Business on the Side by Venture for America:
“If you quit your job or school and put your heart and soul full-time into starting a company, it may succeed or it may not. But if you never fully commit, the business is almost certain to fall short of its goals (or not exist). Starting a company is a lot like trying to lead a charge to take a hill. If you run up the hill with everything you’ve got, it’s the best chance you’ve got to get others to follow you and reach the top.”
Mayrhofer has taken the charge. Here she shares her experience and perspective on starting a business (when she was Eleanor Reagh at the time) and committing to keep it up: 

Can you please tell a little bit about yourself?
Where are you from? What do you do for a living?
I was born and raised in California. I grew up in L.A., then studied and worked in San Francisco bay area. I moved to Munich, Germany, in my late twenties and have lived here for over 12 (or 13?) years now. 

You’re a business of one. What is your statement 
about being a Business Founder and Owner?
For me it’s about two things: meaning and freedom. A lot of the work I do on my own is just as tedious (sometimes more so!) than anything I did at a day job (processing emails, dealing with technical issues, etc.) but I know that everything I do contributes directly to my livelihood.

Printable wedding invitations, as fantastic as they are, are not going to change the world, but I am pretty convinced that I am part of a larger cultural movement of people that are trying to define a new way of living via entrepreneurship and living more ‘human-scale’ lives. Taking part in the Hello Etsy conference last September in Berlin really brought that home for me.

Wedding invitation “Bike”

You and your friend Molly started e.m.papers. Then took 
a break and you went solo with it. What did being away 
and coming back to your business feel like? And what drove 
you to revisit e.m.papers and evolve it?
We never really got e.m.papers off the ground mostly, I think, because we were too young. I was fresh out of art school and hadn’t yet worked in the ’real world’ and wanted that experience. We had the idea in the mid-nineties, so the internet was just happening, and when it really got started, I got seduced into the .com world and that just seemed way more exciting than starting a traditional business, which was much more daunting then. But whenever Molly and I would see each other, we always looked back at our idea and wondered what would have happened if we had given it a go. It remained a stone unturned.

Years later, when I was trying to find an exit out of my day job, I did a lot of soul searching about what I actually liked doing, wanted to do, and how I could either find or create work that felt right. There was no ‘one big thing’ I liked doing; I liked to design (but I wanted to design what I liked not what clients wanted), I loved working with the internet, I liked writing, I was methodical, structured and organized and interested in business, I liked keeping my own schedule.

The idea to re-animate e.m.papers as an internet business selling download and print stationery and paper products ‘just hit me’ while on a flight in 2007. The Internet had grown into an entirely different animal. You could open an online store and set up a payment system in a couple of hours. Home printers were cheap and excellent (when I was in art school, a home color printer that you can get for 80 bucks now, cost a thousand dollars then). I enjoyed the design part, but not production, so just selling designs appealed to me and seemed like a good business model.

Of course, it took several years for all of this to percolate in my unconscious before I got the ‘flash’ for the idea. Molly had since moved on to other projects, but fully supported me bringing it back to life. It felt good and right to return to the idea that ‘might have been.’



What’s your daily work regiment in making
and keeping a business?

I keep a normal 5-day a week schedule. I work best alone and at home (above). I keep toying with the idea of getting a workspace or finding some sort of co-working arrangement, but with the extra overhead and commute time, it just doesn’t make sense. When you’ve got your own business, work bleeds into every hour of your life. I generally try to keep a 9:00a–6:00p schedule and not work on weekends, but that doesn’t always work out so well!

Holiday card “Ornaments”

How do you get the word out about e.m.papers?
I started out with a slow and steady campaign of writing to bloggers, which worked nicely. I created a free wedding set, mostly as a proof of concept, which went viral and really helped get the word out. I got a feel for which blogs my ideal customer hangs out at and started advertising and guest posting on them. I’ve also built a pretty robust customer mailing list and list my products on multiple online venues (Etsy, Dawanda, Wedzu, etc.).

I recently had a product featured in BRIDES Magazine, so I am starting to leverage that in PR efforts, as well as build a referral engine by reaching out to wedding planners directly with sample books, etc.

Collaboration and partnering have also been helpful. I’ve started collaborating with a fellow Munich expat Stephanie Levy, and we promote each other’s work which doubles the power of our individual networks. I’ve also partnered with Glö, an online wedding invite service, providing matching e.m.papers templates for websites and flash-based invitations and that has widened both e.m.papers’ and the Glö’s customer bases.

Finally, word-of-mouth and great customer service. I really bend over backwards to make my customers happy. Most people getting married know other people getting married. When someone sends out a wedding invitation, it’s like 50 little advertisements for e.m.papers. If the customer had a great experience, she will tell everyone about it. A good chunk of my business this year has come from people who came in contact with my work while attending a friend’s wedding. 

What are your recommendations for software/web-based tools 
to use for collaboration and getting things done?
For eCommerce: I have been very happy with Joomla using the Virtuemart eCommerce plug-in. Our main requirements for e.m.papers were a really robust CMS and eCommerce platform that handles a large product catalog, internationalization and downloadable products, which Joomla does quite well.

For collaboration: I am a big 37signals fan, so Basecamp was the obvious choice. So far, so good. I’m also really trying to be disciplined about process documentation, so finding a project management collaboration tool with an exportable wiki was a must.

Finding Freelance help: We have used oDesk to find freelancers which has been helpful, but of course, like everything, you get what you pay for. DropBox has been invaluable and great for file sharing and collaboration.



What tools do you use to work on your ideas 
and make them grow?
I keep a Moleskine journal which usually contains a jumble of business ideas, concept sketches and to-do lists (above). When I need to flesh out an entire design suite, I’ll use a sketch pad (below). Most of the time, though, I go straight to the computer and print designs out to see how they look and then iterate.



How does time factor into your making of your work?
There is nothing like running your own business to make you ruminate and think deeply on the nature of time, mostly that there isn’t enough of it! I have a pretty robust project and time management system, which I developed through learning about project management at my old job and my own experience. My system has also been heavily influenced by a book called Take Back Your Life by Sally McGhee which I understand is based on GTD. Having a really good grip on planning, project and time management has been critical in getting e.m.papers off the ground. For that I am thankful for all my years working at my last company where I got a solid education in those skills, which I don’t believe I could have gotten anywhere else. In fact, that’s what my workshop at Hello Etsy was about and it’s taken on a life of it’s own with a new project called Steal This Process which helps indie business owners understand project and time management.

What is the most rewarding part of making your work?
Being the captain of my own ship and seeing my venture grow. There is something really gratifying about starting from nothing and building something. It’s a bad analogy but I feel like Dr. Frankenstein, pulling on levers and watching my creature come alive... Like I said, bad analogy, but you get the idea!

Every time I get a nice piece of feedback from a customer, it still surprises me by how good it feels, and how grateful people are. And of course the freedom. I love being able to do whatever I want, and answering to no one.

Is there a part of your work that is particularly trying 
and how do you deal with it?
Yes, production. I am a big-picture person and really, really hate dealing with the details. I realized halfway into this that creating a massive product catalog and several eCommerce platforms means all of it also has to be maintained. I really enjoy designing, but converting that design into 24 templates for two different ISO paper sizes and then uploading them across 5 online stores with search-engine optimized product copy in two different languages is NOT my idea of fun.

The way I’m dealing with this is by starting an E-Myth Revisited-style documentation of every single business process so I can outsource the things that I don’t enjoy, are time intensive and that I’m not particularly good at. In fact, I’ve just hired some production help this week.

How do you stay creative? Do you draw? Or keep a journal?
Leisure and idle time. Sometimes I have to force myself to take it, but having a well-rounded life: cooking, visiting with friends, traveling, gardening, enjoying all the cultural delights that my city (Munich) has to offer, keeps my creative tank full. Living in Europe has really helped me learn that.

I had the great pleasure of getting to meet Tom Hodgkinson, who publishes The Idler magazine, and was a fellow speaker at the Hello Etsy conference. He gave a fantastic and hilarious talk on the necessity and power of idle time in both running a small business and the creative process.

I have also found that giving myself 30-day challenges has been helpful. When I get too bogged down in business and marketing stuff and forget about creating, I’ll give myself a design challenge for 30 days, like coming up with one invitation design or Christmas card a day. A good 70% of these designs don’t make it into the store, but there are always a few that work out nicely and also test well. 

What are some of your sources of inspiration?
I have a love-hate relationship with the Internet. On the one hand, there is so much good stuff to see, but I worry that it’s just too hard to not let things that I’ve seen creep into my own work. Again, I think getting out into the city, walking, getting away from the computer goes a long way towards reigniting the creative flame.





I also enjoy snooping around in My Dad’s shop located in Sebastopol, California. He’s a letterpress printer and I grew up in his print shop (above). There are always interesting bits of paper, projects or broadsides that he’s working on to get inspired by. Last summer he showed me his collection of printed dingbat and ornament samples which I immediately lifted to scan and use for my ‘internet thing’, as he put it.


Wedding invitation “Silhouette”

What makes Munich special?
I didn’t fall in love with Munich right away, but once I did, I fell hard. Munich is a very replenishing place to live. You have all of the amenities of a city, but it is very green and very liveable. The access to nature is outstanding. Our apartment building is literally on the Isar rivar, which people can swim in, and the Alps are under an hour away. Munich does not have the frenetic energy of Berlin, New York or London but it is calming. It is a place that has a strong design scene and encourages hard work and accomplishment (Bavaria, where Munich is located is the the economic engine of Germany, which is the economic engine of Europe), but it is also referred to as the most northern city in Italy. Living the good life; good food, good wine, leisure is also fully encouraged. Lots of street cafés, beer gardens and long, lingering meals with friends typify life here. A great very short film from Monocle magazine sums it up nicely.

What are ways for people to learn about e.m.papers?
Probably the best way is through my blog or my newsletter, which you can sign up for on the blog. 

What’s your advice to people who aspire to make something,
a business, product—anything?
Just get started. Don’t get hung up on trying to find the perfect thing, find something you like enough and run with it. I can’t emphasize that enough. You may start with one idea and find you don’t like it, but that will lead you to something else. It pains me every time I hear people talk about their ideas but never take any real steps to get something—anything!—produced or built. I want to grab them by the shoulders and give them a good shaking. Life is so short and there are opportunities now, like never before, to make your thing happen.

I would temper that by saying that if you are looking to quit your job, start your thing on the side. It took me two years of experimenting with my business in my spare time before I started making any money.

It’s a lot of work (there is no such thing as a 4-hour work week!) and certainly not a path to guaranteed riches, but it is a way to create an invigorating, meaningful life, and so totally worth it.

• • •  

All photographs courtesy of Eleanor Mayrhofer.


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Design and Metals: Archework’s Mobile Food Collective, Typewriters, Car Type, Rimowa Suitcases and More

Since December 2008, I’ve been writing about the intersection of design and metals. Here’s an array of clickable images from recent stories concerning metal as a design medium:













October 18, 2011

Designer’s Quest(ionnaire): Freelance Graphic Designer Gabrielle Guy

Gabrielle Guy lives and works in Cape Town, South Africa. Her design of a report for the “World Vision for their Child Health Now” campaign led me to her portfolio of book design, including artistic catalogues, which possess an elegant typographic sensibility. Read her insightful take on design and designing.

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The Designer’s Quest(ionnaire) is a Design Feast initiative that describes and captures a designer’s perspective in a succinct format. Read the previous Designer’s Quest(ionnaire): Product Designer and Teacher Tim Parsons.

October 10, 2011

Handling Content with Care: Hilary Marsh, Content Strategist


With experience in web content and print publishing, as well as writing and editing, Hilary Marsh focuses on many factors in the creation, communication and management of information. Content strategy, including content management, are rising disciplines in a digital society—particularly in the workplace. Marsh is both a practitioner and speaker of these disciplines. Here, she shares her perspective on handling organizational content, which constitutes more than the written word:

Can you please tell a little bit about yourself? 
Where are you from? What do you do for a living?
I was born in Brooklyn, New York, and grew up in the suburbs of Cleveland and Chicago. Went to college for magazine journalism and worked in that field in NYC for several years. I became a copywriter for Avon Products, and discovered the Internet in 1996. Since then, I have focused on online communications.

Currently, I’m the director of the member website for the National Association of Realtors® (NAR). REALTOR.org is the online hub for all the resources, programs, information, and tools that NAR produces for its members, as well as other audiences. I’ve worked at NAR since 2005, joining as the site’s manager of editorial development and becoming managing director in 2007. My role encompasses more than only content strategy, although that is obviously a big part of it. I focus on Web strategy—our goal is to engage members more fully in what NAR produces. To accomplish this, I need to ensure that we know what members want, understand how to best communicate it to them, make sure that they can find what they want online, and make sure the site’s technology supports us well. So, that entails working with pretty much every department in the association. It keeps me pretty busy!

What is your statement about being a Content Strategist?
A content strategist is a teacher, cajoler, hand-holder, role model, and curious question-asker. She/he is a journalist, an editor, a speaker, and a mentor/educator. And she/he is also both patient and creative.

What is Content Strategy?
Online, content strategy is presenting information with an understanding of the needs of both the reader and the “generator.” Unless the information meets the reader’s needs, the content generator can’t meet their goals. It’s also an understanding of the context for the information—the reader’s context, as well as the way the information fits into a timeline, again, both for the generator and the reader. By the way, “reader” isn’t an ideal term (although it’s better than “user,” in my opinion): The goal of a piece of content is usually the reader taking some kind of action—participating in a program, taking advantage of an offer, etc.—as a result of the content. In the last few years, online content strategy has grown to encompass social media too. I helped create NAR’s social media strategy in 2007—we now have a director of digital engagement on our team, who oversees our network of social media channels and ensures that we share our information with members wherever they are, among other things. Another really important component to content strategy is Web and content governance. In a nutshell, that’s identifying who has the power to make decisions about what goes on the website and how, and what doesn’t–and the Web team needs to play that role.


My whiteboard

How did you arrive at becoming involved 
with content strategy for the web?
In the late ’90s, I was trying to figure out how I could take my background in publishing and promotional writing and apply it to the Web. In 1999, at a conference in San Francisco, I first heard the term from, I think, Molly Wright Steenson, and I instantly knew that it was the perfect term for the role I was trying to invent. I haven’t looked back since!

Why did you choose the web as your medium?
The web brings together editorial and promotional information beautifully. It allows people to get to what they want on their terms. It’s available 24/7. And it’s interactive and portable. I’ve really enjoyed creating online dialogues with people. My name is my profile name everywhere, so I’m pretty easy to find online. Since NAR’s members, REALTORS®, are so socially savvy as part of their profession, many of them have connected with me personally.

In addition to your work in Content Strategy, you also practice
Content Management—what is this?
Content management really means two different things. It means the exercise of having plans for content. For example, every piece of content needs to have a life cycle—birth, growth, maintenance/evolution, and finally archiving or deletion. Content management also refers to the tools that enable content to do what it’s supposed to—get created; reviewed; be promoted where, when, and how it makes sense; housed; and then archived.

What are your recommendations for software/web-based tools 
to use for collaboration and getting things done?
My team is based in both Chicago and DC, because we work with NAR’s departments in both cities. We’re all on AIM all day, so we’re accessible to one another. We rely on Basecamp to stay up to date on our various projects. I’m personally a huge fan of Dropbox for sharing and co-creating documents, but others on my team favor Google Docs more. We’re fluid.


My messy desk, including water bottle and lunch fork still in place mid-afternoon

What tools do you use to work on your ideas
and make them grow?

I spend pretty much my entire day talking, listening, and writing. I make sure to connect with a variety of people inside my organization, and I also try and find time to connect directly with our members, as well as with the people at our state and local associations who interact with members most closely. The vast majority of ideas come from what I learn through all of those interactions. I ask for feedback and listen to it very closely.

How does time factor into your making of your work?
My preference is to do all the thinking and planning, and then create something. Unfortunately, we don’t always have the luxury to follow that process, and instead we have to start with something and then iterate. Right now, for example, we’re planning to launch a redesigned site in two months, and we haven’t even finished all the designs yet. So obviously what we launch with will be a start but far from perfect. I’m working on accepting that.

What is the most rewarding part of making your work?
Presenting information so that it is engaging and so that it works. As a counterpart to that, it’s helping people understand the value of communications, which is more about the recipient than the creator.

Is there a part of your work that is particularly trying
and how do you deal with it?
We have internal politics, often resulting from conflicting goals. I do what I can to understand the other person’s goals and make sure they understand mine, and see them as complementary rather than conflicting. At my organization, positive relationships are the ticket to that success.

How do you stay creative? Do you draw? Or keep a journal?
In my spare time, I spend as much time knitting as I can find time for—it really brings me so much peace and sanity. The concrete, tactile experience of knitting is a great balance for my work. My favorite part about knitting is that at the end of the effort, I have something to show for the time—hopefully something beautiful as well as comforting. I also do other homebody things—I’m an avid cook and gardener and make my own yogurt and cleaning supplies.

What are some of your sources of inspiration?
I try and surround myself with creative, artistic folks. Some of those work at my organization and others are in the Chicago creative, digital, arts, or craft communities.

Who and what do you recommend to learn more 
about Content Strategy and Management?
Kristina Halvorson, who I met many years ago when we spoke at the same conference, is the most famous content strategist nowadays. Gerry McGovern also has really interesting, often controversial things to say about Web strategy, content, and information architecture. My friend, Lisa Welchman, is the guru of Web governance—she pretty much invented the field. If you ever have the chance to see her speak or read her materials, please do! Lou Rosenfeld and Steve Krug are my favorite go—to sources for usability and information architecture, which is finally waking up to the value of content and content strategy.

What’s your advice to people who aspire to get involved 
with making things on the web?
Oh gosh, I’m not sure where to start in answering that question. I guess it would be to define what that means for you, and then study websites to see how they do it differently. The good thing about working on the web is that the internet itself is the best source for information about everything!

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All photographs courtesy of Hilary Marsh.

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Read more from Design Feast Series of Interviews

October 4, 2011

“Make or else”: Chicago CreativeMornings with Jake Nickell of Threadless


In his presentation at the fourth CreativeMornings event in Chicago, Jake Nickell emphasized from start to finish: make, make, make. As co-founder of the “monstrous” (per Jim Coudal’s description at Chicago CreativeMornings’ debut) community-driven t-shirt designer and maker Threadless, Nickell lives up to his call to create. His demonstration of making not only involved the satisfaction it can bring, but also the fun, which shined through in his company’s in-house Airstream trailer and other business-casual reminders to not take your job too seriously. Here are some of Nickell’s thoughts to motivate you to be a proactive maker, and not just a messenger:



Ideas are meant to be seen. If they don’t reach paper, screen, whiteboard or another surface, they can’t be visualized. Jason Fried of 37signals, and who spoke at the second Chicago CreativeMornings, recommends sketching with a Sharpie.



This may not sound readily intuitive, but it has a start-local rationale. Friends can be the foundation for collaboration.



Nothing made means nothing to share and, in turn, nothing to promote. The only result is the unknown.



The implicit refrain running throughout the presentation by Jake Nickell (above) about making was: Persist.

• • •

See Jake Nickell’s presentation “Never Stop Making” at TEDxBoulder.

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Big thanks: to organizer Mig Reyes, videographer Craig Shimala, photographers Chris Gallevo and Rosario Edwards, and Admin of Awesome Victoria Pater for their great work on making CreativeMornings happen in Chicago.

Especially big thanks: to Tina Roth Eisenberg—Swissmiss—for inventing CreativeMornings in 2008. The fifth chapter was launched in Chicago, June 2011—my write-up and photos.

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Typeface of quotes is Massive designed by Shawn Hazen, who also makes awesome typographic illustrations for series Creative Roles.

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2011 was Chicago CreativeMornings’ debut year. Download the entire collection of selected insights.



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