January 30, 2012

Chicago CreativeMornings #7: Knoed Creative, married and fearless

 Photos by Nate Burgos

The seventh CreativeMornings event in Chicago was charged with the meme of marriage. Organizer Mig Reyes kicked off the first Chicago CreativeMornings of 2012 with names that were destined to be paired, such as Bryony Gomez-Palacio and Armin Vit of UnderConsideration, Ellen Lupton and Abbott Miller.

This was a natural segue to Kim Knoll and Kyle Eertmoed (above), who together compose Knoed Creative. They shared their experience in starting a creative studio, getting it real and sticking with it:



Knoed Creative’s first piece of advice was to decouple spaces in order to keep the couple sane and sweet.



They emphasized the importance of finding a comfortable ratio between number of projects and number of clients. A bloated client list can spread efforts too thin; a lean list means being picky—on purpose—and keeping the designer-and-client relationship consistently healthy.



This echoes Author Seth Godin’s belief: “The enemy of creativity is fear...In the long run, the enemy of fear is creativity. I’m sure of it.” Knoed Creative’s closing advice was fitting to a presentation rooted in demonstration. The subtext of “No fear” is just as pithy and provocative: Do it!

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Furthermore, to complement their studio work, Knoed Creative strongly encouraged keeping side projects. Their own include Chicago-L Shirts, inspired by Chicago’s transit train system “The L.” Kim Knoll makes handmade vintage-inspired jewelry at RFRM™ (pronounced Reform).

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Big thanks: to Chicago Portfolio School, for hosting, and 24 Seven for sponsoring Chicago CreativeMornings #7; to organizer Mig Reyes, videographer Craig Shimala, photographer Chris Gallevo for their great work on making CreativeMornings happen in Chicago.

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Typeface of quotes is called Massive designed by Shawn Hazen, who also makes awesome typographic illustrations for series Creative Roles.

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Read CreativeMornings-related posts:

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January 29, 2012

Designer’s Quest(ionnaire): Graphic Designer and Typographer Elizabeth Carey Smith


Image from series Imaginary Alphabets courtesy of  Elizabeth Carey Smith

I discovered Elizabeth Carey Smith via New York City’s Chief Digital Officer Rachel Sterne, who tweeted about Smith’s design of a report called “Road Map for the Digital City: Achieving New York City’s Digital Future.” This led me to her portfolio of typography and lettering beautifully applied to both client and studio projects, such as Imaginary Alphabets.


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The Designer’s Quest(ionnaire) is a Design Feast series that captures a designer’s perspective in a succinct format. Read the previous Designer’s Quest(ionnaire) answered by User Experience Designer Anthony Levin-Decanini.

January 17, 2012

Create things: Business-maker Ryan Evans of Rand Media Group and Bitesize PR


Source: Ryan Evans.

Thanks to ace graphic designer and art director Stephanie Di Biase, I was introduced to Ryan Evans, who has a bona fide best practice: he reaches out to see people he’s interested to meet, in-person. Soon after receiving Ryan’s invite to get together, I met with him. We kickstarted our connection with a lot of shared interests, like collaborative workspaces, bootstrapping, CreativeMornings, and simple software (Ryan uses Never Forget! for the iPhone). His business (one of them) of Bitesize PR was a particular topic of our conversation. Here Ryan shares his nifty idea in Bitesize PR plus his experience and perspective about making a business:

Can you please tell a little bit about yourself?
What do you do for a living?


I am a former finance guy that stumbled around and wound starting a couple of marketing service businesses called Rand Media Group and Bitesize PR.

Your companies Rand Media Group and its PR entity
in Bitesize PR are businesses of a few. What is your statement
about being a Small Business Founder and Owner?


The biggest thing that I can say is that I absolutely love what I do. Every day I have the ability to come up with new ideas and build them. That is incredibly satisfying.

Bitesize PR piques a lot of small businesses’ interest.
What is it and what makes it different than the large PR firms?


Everyone understands that media has changed dramatically. Now anyone can be a blogger, journalist radio show host, etc. The issue with most PR firms is that they are still doing business as if it was 1999. Not too long ago, the media landscape was much different. You had a fraction of the media outlets, each with a large audience. Because media outlets were scarce, businesses had to pay a lot of money to gain access to their audience. People generally associate paying for media as advertising, but paying a PR firm is just another way of paying for media. In order to get attention from the media, you had to break through to a few influential gatekeepers and the primary way that has been done is through PR professionals. Because these relationships were so valuable, PR firms were able to charge huge monthly retainers.

Now, though, the value is shifting from paying for access to large media outlets to figuring out how to get access to more niche sources. For example, Design Feast is a much more valuable outlet for the design community than the Chicago Tribune is. Our mission at Bitesize PR is to connect interesting entrepreneurs with people who actually want to hear their story. I think that media-savvy entrepreneurs understand that our model gives them a much better shot at getting relevant media attention. Oh, and our starting price point is $89 a month. I think that gets businesses attention too :)

What is your daily work regiment in making
and keeping a business?


I’m not a person who does a daily routine forever. I’m not sure if I’m constantly trying to innovate or if I simply can’t focus for an extended period of time. (I tell myself it’s the former.) But one thing that is incredibly important is defining and accomplishing one important thing a day. While I honestly haven’t been able to pull it off yet, I’d really like to extend this to one important thing a week, a quarter and a year. It doesn’t have to be big, but it should be important. One of the biggest challenges of a being an entrepreneur is that you have to keep a lot of people happy at once: employees, customers, contractors, investors, etc. In doing that, it’s easy to lose sight of what makes you happy or what you want to accomplish. So I think it’s important to just get one little thing in a day that helps you move in the direction you want to go.

How do you get the word out about your respective companies?

The great irony is that while Rand Media Group is a marketing company, most of our clients have come from customer referrals. This is sort of like seeing a “coming soon” homepage on a designer’s site. We’ve been so focused on executing our client’s marketing campaigns that we haven’t put together a comprehensive effort ourselves. This irony bothers me a bit though and we’re going to start doing a lot more this year.


Source: Ryan Evans.

With Bitesize PR, we get traffic from our blog, a pay per click campaign, Facebook, Twitter and media mentions, of course :) So far, things have been pretty simple. We took a pretty “lean” approach to promoting Bitesize PR. Call me crazy, but I prefer to prove out a business model (to the extent possible) before sinking a bunch of time and money into it. In order to prove out the concept we wanted to see if we could get paying clients from a variety of sources and make sure that they are happy with the service. We’ve done that now. So now that we are confident in the model and we have some revenue, we’re in the process of improving the application and service, rolling out a new marketing site and beefing up our marketing efforts. This is the exciting part.

What are your recommendations for software/web-based tools
to use for collaboration and getting things done?


We have seven people on our team and I only see one or two team members IRL about twice a month so web-based collaboration is mad important. Most of the stuff we use is what most people are familiar with: Basecamp, Email (Gmail), Google Docs, Dropbox, Skype, etc.

What tools do you use to work on your ideas
and make them grow?



To-dos in 37signals’ Basecamp. Source: Ryan Evans.

This is definitely my favorite part of owning a business. I spend a lot of time working through ideas on a whiteboard or a piece of paper. Sometimes I’ll use mind mapping software like MindMeister, but generally I find working through ideas on a computer too limiting and/or too slow. If the idea is ready to be implemented, I usually break it down into to-dos and add them to Basecamp (above). A vast majority of my ideas are half-baked or I don’t have the time or resources to implement them immediately. For ideas that aren’t ready for launch I usually throw them all on an “ideas” Backpack page and let them sit there for a bit. Then from time to time, I’ll go through that list and drag the better ones to the top. This process keeps me from pursuing a million different ideas at once or putting time into a bad idea. More often than not, I’ll look through the list and think “wow, that was stupid”. But when an idea withstands a few weeks, or a recurring theme emerges, that’s a clue that I might be on to something.


View from 8on7. Source: Ryan Evans.

The other thing I do when I feel like an idea has some promise is to float it out to some fellow entrepreneurs. I work in an incredible coworking space in Bucktown called 8on7 with eight other companies. The folks in my space are super sharp and painfully honest. I like to float ideas to them a lot and they give me great feedback and sometimes make fun of me. Getting honest feedback from people who know what they are doing is invaluable.


Workspace of 8on7. Source: Ryan Evans.

How does time factor into your making of your work?

I have never felt the constraints of time like I do now. Not only am I busy building companies, I have three kids under 19 months. (Twins, not multiple mothers for those of you doing the math). So I can’t spend the time working like I used to. While this certainly creates a lot of pressure, scarcity of work time is really a blessing in disguise. I used to throw sheer hours at a problem or a challenge. Now I can’t do that. This forces me to either be a little bit smarter on how I approach my workload or simply discard things that I don’t have time for. I should have been doing that from day one. Hard work is important, but when you build a business your hours won’t scale to meet your ambitions.

What is the most rewarding part of making your work?

I like seeing my ideas become real.

Is there a part of your work that is particularly trying
and how do you deal with it?


I think one of my biggest challenges is my desire to keep everyone happy. That’s hard to do in business and it get’s harder as you grow. I’m not sure if I will ever be OK with this, but I’ve gotten better. One thing that helps is to keep in mind the bigger vision. For example, you may not be able to spend as much time visiting clients as they would like, so that you can go to a class that teaches you how to service them better. If you have the vision of providing the most innovative service you can, making the decision to go to that class becomes a little easier. It’s hard to say no to people’s demands if you don’t know what you are trying to achieve.

How do you stay creative? Do you draw? Or keep a journal?

Fostering creativity isn’t something I have honestly given a lot of thought to. I really should. I have a journal, but I use it more for solving problems or thinking through ideas. Great question.


Source: Ryan Evans.


Source: Ryan Evans.

What are some of your sources of inspiration?

I’m fascinated by business and it doesn’t matter what it is. I often daydream about what it would be like to own the local sandwich shop or start a space tourism company. I’m inspired by people who run great businesses, regardless of the scale or industry.

You mentioned that you’re originally from Michigan.
Where exactly and what makes it special?


I grew up on a farm close to a small town call Dowagiac, it’s about 2-1/2 hours from Chicago. Like most rural areas, the pace of life is a lot slower. Growing up, I was ready to leave for the big city as soon as I could. When I go home now, I’ve come to appreciate some of the things that make the area special. The area has a lot of natural beauty with rolling hills wooded areas and lakes. The falls and winters are picturesque. There are also some charming attractions like a driven movie theater and Caruso’s Candy & Soda Shoppe. It’s nice to go home, but after a few days I’m ready for the energy and ambition of the big city.

What are ways for people to learn about Rand Media Group
and Bitesize PR?


The best way to learn about us is to go to RandMediaGroup.com and BitesizePR.com. I’m also a big fan of Twitter so please say howdy @ryanevans.

What is your advice to people who aspire to make something,
a business, product—anything?


One of my biggest fears is looking stupid. I think that’s one of the most common things that hold people back from creating things. No amount of knowledge or preparation will make that feeling go away. The only way to get over that is to actually do stuff. It doesn’t matter if you are successful the first time around. Just the process of creating things makes you more confident and able to take on more and more.

All photographs and images courtesy of Ryan Evans.

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Read more Interviews which include:
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January 10, 2012

Give Illustrators More Credit

To discover illustrators, I browse both printed and online publications. Newspapers are great for this: numerous illustrators make compositions for written stories, particularly op-ed pieces. It was through the illustration (below) for “How to Rescue Education Reform”, an article by Frederick M. Hess And Linda Darling-Hammond for the New York Times, that I made the delightful discovery of Gracia Lam and her work.



The online version of this article displays like this:



The illustrator’s name, in this instance, is located in the bottom corner.



Communicating the artist’s name is obviously important. Placing it adjacent to the illustration is a typical location. Or in the case of the illustration by Shout (Alessandro Gottardo) for the printed piece “When Secrets Go Viral” by TIME magazine’s senior writer John Cloud, credit to the illustrator is placed at the end of the article.





Though these are only two examples, this general approach to accrediting illustrators is a common one. In all cases, I wind up doing a search of the illustrator to learn more—more work examples, more details. Most of the time, the illustrator has a web-based portfolio. Ultimately, what the web reinforces is that a link acts as a powerful bridge to discovery.

It would be great if the illustrator’s name doubled as a link to her/his online portfolio. Additionally, giving credit to the illustrator at the bottom of the article would be great, too. If a written work is paired with an illustration, then the writer’s micro-bio could be happily paired with that of the illustrator. For accrediting illustrators in printed form, supplying the URL, or a shortened version of it, would be ideal.

Like a writer’s contributions, an illustrator’s are just as crafted and invested. The same goes for contributing works by photographers (1). As the forms of expression—which broadcast the unique intersection of the visible word, illustrations and photographs—develop progressively, so the line of creative accreditation should also progress.

(1) As beautifully diagrammed by Pia Jane Bijkerk

January 1, 2012

Design Feaster’s Highlights of 2011

2011 was another year charged with creativity. Here are the people, places and things that I enjoyed discovering and kept in mind, year-long:

Everyone
To echo my first highlight of 2010, I commend everyone who commits to making ideas happen and crushing it!


Source: Nate Burgos

CreativeMornings
Founded by swissmiss, a.k.a. Tina Roth Eisenberg, CreativeMornings is my kind of design conference. Previously, I had felt triple-dissed with my experiences of design conferences: disillusioned, disenchanted and dissatisfied. CreativeMornings brought me back to the social fold of creatively engaged people. It provides a spirited and succinct experience, grounded in the celebration of local practitioners. I’m thankful that it arrived in Chicago (along with other cities), where I’ve been easily inspired to blog about each meet-up.


Source: Alonzo Felix

Sweat the Small Stuff
A pithy phrase respected by graphic designer, letterer, illustrator, and Studiomate, Alonzo Felix, and brought to life in his poster. Custom typeface, smooth-and-connected in character. Bold color combination. The result fully embodies the phrase.


Source: Dwell

Villa Welpeloo
In Enschede, Netherlands, 2012 Architects made a house mostly composed of locally found materials. Old billboards were used for the kitchen’s cabinetry, and a retired textile mill provided metal, which was harvested for the house’s infrastructure. It is an exercise of sheer resourcefulness: taking things once rendered useless and making them useful again—prompting the impression of seeing something that’s beautifully restored.


Source: Noah Beil

Photo Books by Noah Beil
Handmade photo books that blend photography, letterpress and inkjet printing. Photographer Noah Beil has taken creative matters into his own hands to make things—things he cherishes. It’s a noble act worth repeating.



Wilco’s Tiny Desk Concert
With curated editorial sites like Designers.MX and Lost in Concert, creativity’s twin is music. NPR Music’s Tiny Desk Concerts are kindred to CreativeMornings in their compact serving size. It’s a live format that rock band Wilco turned into a blissful set.

Of course, my list is never a complete one. What are your Design Highlights of 2011?

As you recall your highlights: Thank you for visiting and reading, and here’s to an excellent new year of thinking and making!

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December 14, 2011

Lady Designer: Muriel Cooper (1925–1994)


Source: History of Graphic Design, The Digital Revolution


Source: MIT Museum


Source: Biography by Janet Abrams, Director, University of Minnesota Design Institute


Source: Financial Viewpoints by Lisa Strausfeld, VLW, MIT Media Lab

November 20, 2011

Chicago CreativeMornings #6 with Scott Thomas, who seeks simple solutions to complex problems


The sixth CreativeMornings event in Chicago began with a civic call to duty by speaker Scott Thomas (or SimpleScott): Remain responsible. Not only a call, it was also a reminder, a philosophical one, but philosophy applied, as evident in these statements:







To Thomas, design is civic responsibility, a selfless act to make any part of the world a little better. Demonstrating this was his highlighting of The Noun Project, which “collects, organizes and adds to the highly recognizable symbols that form the world's visual language.”



At the start of his presentation, Thomas quoted from theoretical physicist and cosmologist Stephen Hawking’s book Grand Design which posits simplicity as “a matter of taste.” Thomas stressed that it’s also a matter of responsibility: to truly love something and work on it really hard—only then will the reward become a self-fulfilling prophecy.

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View the Design Feast Flickr set about Chicago CreativeMornings #6 with Scott Thomas.

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“Remember to look up at the stars and not down at your feet. Never give up work. Work gives you meaning and purpose and life is empty without it. If you are lucky enough to find love, remember it is there and don’t throw it away.”
— Stephen Hawking

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Big thanks: to Chicago Portfolio School,for hosting and 24 Seven for sponsoring Chicago CreativeMornings #6; to organizer Mig Reyes, videographers Craig Shimala and Charlie Curran, photographers Adan Altamira and Chris Gallevo for their great work on making CreativeMornings happen in Chicago.

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Typeface of quotes is called Massive designed by Shawn Hazen, who also makes awesome typographic illustrations for series Creative Roles.

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Read CreativeMornings-related posts:
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November 16, 2011

Creative Role: The Restorer


Restoration drives renewal. At Steve Jobs’ annual back-to-school announcement (2010) of Apple’s new products and services, the news that kept my attention, more than the latest iPod Nanos and iPod Touches, concerned the retail stores in Paris and London. Both were restored buildings. As Jobs put it, “The old and the new together work beautifully.” The old buildings were restored to accommodate a new purpose.

The same can be said of the Mast Brothers, the Brooklyn chocolatier duo. In keeping to the storied practice of making handmade chocolate, this cherished quality flows throughout everything they do, particularly in their packaging:
“Everything roots back to our love affair with spirit of craft, of things that are crafted, whether it’s an old book, an old wooden sailboat, or a building. We do use blueprints on some of our [packaging] papers … We’re even restoring an old printing press and doing all in-house printing, so that our community can craft new designs for us.”
An unused thing gets stale over time. But making something newly can bring comfort and satisfaction, while simultaneously fulfilling a purpose. In Apple’s case, the restored buildings teem with technological play and purchases. With the Mast Brothers, their restored printer fortifies grassroots in addition to elevating packaging design. Restoration is a refreshing part of their renewal strategy.

Tap into your inner restorer.

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This is the sixth piece of a series focused on the lively cast of characters whose roles make the play of Creativity. In case you missed the first, meet the Frameworker.

Typographic illustration, tailormade for this series, was done by Shawn Hazen. Read his Designer’s Quest(ionnaire).

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November 15, 2011

Worth Reading: Cartoonist Hugh MacLeod’s “Evil Plans: Having Fun on the Road to World Domination”



Like some of the previously reviewed books, looks good without the jacket.

Following the review of Behance Founder and CEO Scott Belsky’s “Making Ideas Happen”, my collaborator Joe Giovenco and I review “Evil Plans: Having Fun on the Road to World Domination” by Hugh MacLeod, who is known for his “social objects in cartoon form” and writing about creativity. His daily newsletter speaks to the pulse of passion and purpose—ultimately, as MacLeod emphasizes: “To unify work and love.”

Total time: 20:52

Big thanks to Tiffany Liao of Portfolio for the speedy delivery of review copies. And big thanks again to Joe for collaborating on the review and for lending his recording tools and space, plus a feast which helped the appetite while recording.


Sausages, dill cheese curds, truffle cheddar and apple, hand-picked from an orchard

Episode notes:
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November 14, 2011

Lady Designer: Ray Eames (1912–1988)


Source: SnOOp


Sketches of chairs, circa 1943-1946. Source: studio international


Plywood sculpture, Untitled, 1943. Source: studio international

Biography by Fembio; Oral history interview (1980)

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